Reviews

“Amy Obenski: Making a Musical Connection”, Palo Alto Daily News

For Santa Cruz singer-songwriter Amy Obenski, making music is all about connecting with people.

“I’m enjoying talking to people, finding out that a song really made a difference for them, that they could really relate to it,” she told The Daily News.

“Sometimes I get feedback that a particular song helped someone through a difficult experience or meant a lot to them during a certain period of their life. And it’s like, ‘Wow! My song? Pretty cool. I don’t even know you.’”

Obenski knows how to express herself beautifully through song. “Grey’s Anatomy” has used her music. Her latest album, “From The Deep,” displays gorgeous vocals, elegant musicianship, haunting melodies and poetic, profound lyrics.

Like Joni Mitchell, Obenski is an artist who boldly and naturally crosses genre boundaries.

“I don’t try to have a specific sound. I create what I hear, what I like, add the instruments that sound like they’re right for the song. I don’t try to create a cohesive sound, not manufactured in any sort of way.”

Her writing method goes through different phases. “Sometimes I’ll be doing something else, like going for a long walk or driving, and a song pops into my head. Sometimes I get inspired when I go hear my friends play music.

“Sometimes I sit down at my piano and try to come up with something and it can be a bit of a process, trying to get something out. Sometimes I write on guitar. It gives me a lot of
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different ways to get song started. If I can’t write any music, I’ll paint or draw or write poems or do whatever will inspire me creatively.”

Obenski has been writing poetry most of her life. “When I first started writing songs, the lyrical content was coming naturally, flowing. I don’t always even know what I’m writing about until it’s down on paper and then I go back and read it. I wasn’t intentionally trying to be revealing and truthful. As time passes, it just keeps getting deeper.”

A new song, not yet recorded, tentatively titled “Fall To The Ground,” sparks strong audience reactions.

“I was hesitant to sing it for people, because it felt so personal. So I felt really vulnerable. But I sang it anyway and the feedback I got back was very mixed. Some people were made extremely uncomfortable by the song. It was like, ‘It’s too truthful, I can’t deal with it.’

“Other people, it would move them so much that they would be crying. They loved that the song was out there, that someone else feels the same way that they have. I guess the response depends on whether people want that sort of honesty or not.”

Obenski described the song. “It’s about sensing the direction we need to go in our lives, not knowing where we’re headed, but making choices based on what’s true to us, even when it seems like our whole world could fall apart because of our decision. Being scared and making the choice anyway can be courageous.”

It takes courage to choose a career in music. “Obviously, it’s not the easiest thing. But it’s definitely my purpose, if you want to call it that,” she said with a laugh.

Obenski spent her childhood in San Diego, sang in choir at age 5, and studied piano. She moved to Santa Cruz 14 years ago. At UC Santa Cruz, she minored in music while earning a degree in environmental studies. She worked in the environmental field in San Jose and Santa Cruz.

In 2002, a couple of years after graduating, Obenski began writing songs and made the decision to pursue music. She began playing open mic nights at Santa Cruz’s The Poet & The Patriot Irish Pub.

“When you’re first performing, the open mic scene is great, really nurturing. It gives you confidence, allows you to meet people and get used to playing in front of people. How you’re received at those is really important. For me, it was fun and exciting.”

Building a following took hard work. “Getting people to show up can be challenging in an independent musician’s world, figuring out how to get people to come when nobody’s heard of you. You just have to keep at it. At first, it’s just telling your friends and getting your friends’ friends to come. The grassroots word-of-mouth thing starts to happen.

“The other challenge of being an independent artist is doing all the business side, all the publicity, the promotions, the booking, which is not the most desirable part of the job.”

Sometimes fortune smiles on an indie artist. In 2007, “Grey’s Anatomy” used Obenski’s song “Carousel.” MTV’s reality show “MADE” also used her music. She hadn’t submitted material to either. “Both of them were a surprise. It was like, ‘Is this real?’”

Her MySpace hits and iTunes sales soared. Combining her love of music and her passion for the environment, Obenski assembled a successful benefit concert, Take Back Your Forest.

“It was a dream that I’d had and I was excited to actually have it happen. I want to create more of those concerts.”

As for her ongoing musical dreams, Obenski said, “I just want to get my music out to more people, connecting with as broad a base as possible. Right now I’ve got a little niche going on, but I’d like to expand that, take it across the country, to Europe, just keep improving the music, getting more and more to the heart of the matter.

“When someone hears a song and thinks, ‘Wow, I feel the same way, I’m not alone,’ that’s what it’s all about. So the more people I can do that for, the better.”

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“Folk Fusion”, Santa Maria Sun

Singer-songwriter Amy Obenski melds an array of genres to create a unique blend of smooth sounds

Sometimes she’s quiet and reserved, but she’s never at a loss for words. She just keeps them carefully guarded. Santa Cruz singer/songwriter Amy Obenski pours the right words into songs with profound lyrics sung with smooth honey vocals.

“What’s really important to me is in those songs. The stuff I write about is the stuff I’m really interested in—what I really want to talk about,” Obenski said.

Her inspiration stems from an array of genres, including jazz, classical, rock, and R&B. Her latest album, From the Deep, features grand piano, cello, viola, bass drums, mandolin, and accordion.

Her sound hasn’t gone unnoticed.

In 2007, Obenski got an e-mail from a Grey’s Anatomy editor who wanted to use her song “Carousel” in a scene in the show. The editor said the director really liked it, but she didn’t know if
the scene would stay in the episode.

“So I got this e-mail and basically proceeded to run around my house jumping up and down,” Obenski said.

A month later, she had a few friends over to watch the episode. But she was a little cautious. It wasn’t the first time her music appeared on TV. Songs from her first album continue to appear on the MTV reality show Made, but that pairing was ultimately anticlimactic.

“I got a bunch of friends together to watch [Made], and you couldn’t even hear it,” Obenski said. “I watched the show a bunch of times, but I couldn’t find it. So it was nice watching Grey’s Anatomy—it was nice to hear my song.”

That Grey’s Anatomy appearance landed her song at No. 23 on the iTunes folk chart. Such success has been a long time in the making for Obenski.

She’s been involved in music since she was 5 years old. Given the choice of going to science school or music school, music was her obvious path. Growing up in arts-related schools, Obenski focused on choirs and at age 7 began playing piano. She didn’t seriously pursue music, however, until after college. Garnering a degree in environmental studies from UC Santa Cruz, Obenski worked in the field for two years before realizing music is what really makes her happy.

She combines her experiences by creating a series of benefit concerts called “Take Back Your Forest,” which raise money for the Sempervirens Fund, an organization that protects redwood forests in the Santa Cruz mountains.

Obenski tours mostly around the West Coast and plays steadily in the San Francisco Bay Area. She’s performed in notable venues such as Biscuits and Blues in San Francisco and Don Quixote’s in Santa Cruz and has opened for the John Butler Trio in Los Angeles. She’ll be bringing her golden voice to Lompoc’s Southside Coffee on Nov. 14. Obenski first performed to a welcoming crowd there in May.

Currently writing some new songs for another album, Obenski said she’d really like to see her music reach—and impact—a wider audience.

“I just want the music to spread, to get out there to as many people as I can,” she said. “I want it to take on a life of its own.”

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“Process Progress and Vision”, Bird in the Tree

I first met Santa Cruz songwriter Amy Obenski shortly after we’d both released our first Cds in 2003. Now, multiple tours and CD’s later, Amy is one of the Bay Area’s most thoughtful troubadours whose sound and reach continues to expand. I asked Amy a few questions before she set off on a West Coast tour to promote her latest effort, “From the Deep.”

Q When did the light bulb go off, when you said, ‘I must play music’? or How did you start?

AO I’m not really sure when this first happened. But I’ve wanted to sing since I was a very little girl. I wanted to be a famous singer and buy a threatened rain forest. I was very into nature and animals and had pictures posted all over my room from World magazine. I started singing in choir when I was five at my elementary school, and I remember singing Annie’s “Tomorrow” for a family audience when I was maybe four years old.

Q Who is your main influence? What, or who, inspires you?

AO What really inspires me is watching my friends play their music. I have big name inspirations like everyone else. But I find my true inspiration comes after seeing my friends or regular people play like you and me. I think it’s because I can really relate to them, and they aren’t some blown out of proportion rock star on a pedestal. Not that rock stars aren’t regular people, of course they are, but it registers differently for me. I guess I’m just more inspired when I can talk to them before and after, and they are just being themselves.

Q Can you describe your writing process? What comes first-words or music?

AO This changes all the time. Often the words and melody come at once, and then I add the instruments and chord changes afterward. Sometimes I write the instrumental first and then add a melody and words. The melody and words almost always come at the same time. Occasionally, I have a melody and I take a poem I’ve already written and slip it in there.

Q How has the recording process changed the way you work?

AO Wow. This is a big question. I’ve become more of a composer and I think this is due to the recording process. For my first album, my approach was to just record what I had and not put much thought into it. I invited other musicians to come play and just jam out on the recording. But then after seeing how that went, I decided to start taking a more methodical approach. Now I take more time to think about each instruments parts and discuss it with the musicians, as well as composing some of the parts myself. I’m also much more careful with the production of the album, my overall vision, and the quality of the sound.

Q What will you do next, do you think?

AO Well, I’m going to play a lot of shows this year and probably start writing and recording again next year. This is how the cycle goes. Every time the CD Release comes around the response is a little bigger. Really I just want to connect with people, share my music, and hopefully contribute to some folks in a positive way. View entire article

Review of “From the Deep”, Daily Vault

I am a child of the ‘50s and spent my teenage years in the ‘60s, and as such, I am always amazed at just how much music is being produced independently and is available on the Internet. The competition to be recognized and break away from the pack so to speak is intense. It takes talent, perseverance, and some luck along the way. Amy Obenski seems to have been graced with all three of these attributes.

She caught some luck in 2007 when the song “Carousel” from her second album was used on the show Grey’s Anatomy. It became an instant hit and reached number twenty-three on the iTunes folk chart. She has had perseverance. From The Deep is her third album release, and she has toured constantly for the past several years.

And she seems to have the talent as well. She writes her own material; twelve of the thirteen songs are her compositions. Her lyrics are sophisticated and she keeps the music simple in order to keep the focus upon them. Her vocals are adequate but fit her musical style well. I thought of an early Joni Mitchell while listening to her sing. She also does not use backup singers, so the vocals are all her. She plays guitar and keyboards while keeping the backing instrumental accompaniment to a minimum. There are just drums, bass, and some occasional string instruments.  Obenski’s overall presentation is gentle. She is a singer/songwriter whose sound fits in somewhere between a folk and pop feel.

The biggest handicap to this release is a sameness to the music, which seems to be an issue with many independent singer/songwriters. I would have liked to see a few more up-tempo songs to form a counterpoint to her thoughtful, slower ballads. It would have made things a tad more interesting and certainly livelier.

Obenski’s songs allow the mind to wander. “Green Banks” effectively uses a cello to enhance her wonderful lyrics which contemplate on the lack of harmony among people and the environment. “Words On A Page” is a subtle song about people avoiding others but still stealing glances.  “Gravity,” “Long Ago,” and the title track continue the simple yet effective presentation of her creations.

Amy Obenski has a lot going for her; now she just needs to define what will set her apart. From The Deep is a solid album upon which to build in the future.

Rating: B

-Daily Vault

Review of “From the Deep”, Collected Sounds

I reviewed Amy Obenski’s other album, Kite in 2006. That one had a 70s feel to it, at least for me. This one not so much. It’s still lovely low-key pop music, but it doesn’t shout any specific decade to me.

I was captivated by her lyrics on the last one. Same here. Words on a Page is wonderful. She sings of how some of us, we don’t connect with people we see everyday, but then go home and think about or even write about them. It’s about engaging in the moment instead of just imagining what it would be like. At least that’s what I’m getting out of it! There’s some lovely piano playing on this song as well.

Actually the musicianship on this whole record is fantastic. There are songs with a full sound with drums and backing vocals and some more sparse and they all sound great. It’s a pretty mellow album in general.

I particularly like Rattling our Cages. Such a gorgeous melody.

If you’re in the market for some lovely piano pop with intelligent lyrics and beautiful vocals, you can’t go wrong here.
- Collected Sounds

Review of “From the Deep”, Performer Magazine

Amy Obenski is sure to break through the singer/songwriter ranks and make a lasting impression with her new album, From the Deep. In its jazz-steeped compositions, which move from haunting to soothing in one intuitive swoop and feature grand piano, guitar, cello, viola, bass, drums, mandolin and accordion, we find a talented artist reaching her creative peak.
Soaking up the eclectic beauty of her surrounding Santa Cruz and infusing it into her music, Obenski’s honey-flowing tunes possess incredible depth and a natural grace. Yet, it may be her cover of Tracy Chapman’s “Mountains of Things” that best highlights her vast talent. With a new arrangement that expertly alternates between lush and stark, Obenski has made this 1988 classic her own while preserving the poignancy of the original and emphasizing its contemporary relevance.
Like Chapman, lyrics are important to Obenski and have just as much potential influence, touching on self-reflection, hope, realization, acceptance and social criticism. In the latter category, “Wheels” is a great complement to “Mountains of Things,” sharing its anti-materialistic spirit: “The more we seem to have / the less we get to feel / we think we’re moving forward but we’re spinning on our wheels … he’s raking in the bills / never mind he’s lost his passion and given up his will.” Closing the album with the invitation to “take this poem and make it something you can relate to” (“Poem”), Obenski unintentionally underlines her greatest strength.
-Katherine Hoffert, Performer Magazine.

“Amy Obenski”, Metro Silicon Valley

“Obenski plays a jazzy version of acoustic folk that simmers with hints of Joni Mitchell and Carol King. Touching on some of the same serious emotional and spiritual themes of those forebears in her lyrics…” View entire article

“The Amy Obenski Band”, Good Times Santa Cruz

“For most of us, declaring a college major meant seizing upon that vestigial interest from childhood or a conveniently passing fancy some time during sophomore year as prerequisites slipped away. For local singer-songwriter and UCSC grad Amy Obenski, this decision had real significance.” View entire article

Review of “Kite”, Performing Songwriter

“Obenski will hook even the most hardened cynic…” View entire article

“Amy Obenski at the Beanery”, Ashland Daily Tidings

“Amy Obenski has released her second CD, “Kite”, less than five years after writing her first song…” View entire article